
The photographs that make up the Fred Gildersleeve Curated Collection are from multiple archival collections located throughout The Texas Collection & University Archives that contain Gildersleeve's photographs. The original formats that were digitized include silver gelatin prints, cellulose and glass plate negatives, and panoramic photographs. The geographical locations of the photos include not only Waco and other Texas cities, but many others throughout the U.S. as well as Mexico. Gildersleeve was also a contract photographer for Baylor University for many years and lots of images of the university are to be found among these photos as well. This collection will be continually added to as more Fred Gildersleeve images are digitized.
The photographs that make up the Fred Gildersleeve Curated Collection are from multiple archival collections located throughout The Texas Collection & University Archives that contain Gildersleeve's photographs. The original formats that were digitized include silver gelatin prints, cellulose and glass plate negatives, and panoramic photographs. The geographical locations of the photos include not only Waco and other Texas cities, but many others throughout the U.S. as well as Mexico. Gildersleeve was also a contract photographer for Baylor University for many years and lots of images of the university are to be found among these photos as well. This collection will be continually added to as more Fred Gildersleeve images are digitized.

Biography of Fred Allen Gildersleeve :
Biography of Fred Allen Gildersleeve :
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The man who would become Waco’s most famous photographer, Fred Allen Gildersleeve, was born near Boulder, Colorado, on June 30, 1880, to Captain Allen Jesse and Sarah Ellen Pew Gildersleeve. His father, Allen Jesse Gildersleeve was a Civil War veteran having served as a Union Army Captain in the Missouri Cavalry, 14, Regiment, Company D, and died in 1881 at the age of 46. After the father’s death the family moved to Kirksville, Missouri, near the mother’s family. There, young Fred attended the Model School (part of the Normal School) graduating at the age of 16. His photography career began at the age of eighteen when he was given a Kodak box camera by his mother. He photographed students at the school and sold them for twenty-five cents each. In 1903, Gildersleeve graduated from the Illinois College of Photography in Effingham, Illinois, and soon after, his career as a professional photographer began.
In 1905 Fred Gildersleeve came from Texarkana, Arkansas, to Waco to work in the photography business having had a brief photography career in that city. His sister, Jessie Ellen, arrived in Waco around the same time to work as a doctor of Osteopathy. Their mother, Sarah Gildersleeve later joined them and lived with her daughter, Jesse Ellen. Fred married Florence Jennette Boyd on December 24, 1908, in Texarkana, Arkansas, who then joined him in Waco. They had no children. |
Fred Gildersleeve became a pioneer in the field of aerial photography in Texas. Examples include his aerial photos oil fields in Mexia, Texas, and he took the first aerial photos known to exist of Baylor University in about 1905-1910. Other accolades include his ability to use magnesium powder to create “flashlight” to illuminate night-time photographs that broke national records. For example, his 1911 photo of Waco’s Prosperity Banquet set a record for being the largest flash photo ever at that time. The event seated 1200 people and ran the length of two city blocks. Additionally, his skills at photo enlargement also set records. In 1913, he enlarged a panoramic photograph of Waco’s Texas Cotton Palace to 120 inches wide becoming the largest photo print made up to that time. He had a representative from Eastman Kodak in Rochester, New York, bring him the photo paper to do so. He also photographed the construction of the Amicable Life Insurance Company Building “Alico” in Waco. The structure, being 22 stories tall, held the title of being the tallest building in the Southwestern United States upon construction in 1911.
Gildersleeve was an active and prominent member in the Waco community. The Standard Blue Book of Texas, 1920, lists him as being a member of the Masons, York Rite, Shriners, Rotary Club, Ad Club, Young Men’s Business League (Y.M.B.L.), Chamber of Commerce, and as serving on the committees of Liberty Loan, the Salvation Army, and the Red Cross. Fred Gildersleeve’s involvement with these groups and organizations allowed him to prosper in his photography business as well as give back to his community. When the Y.M.B.L. went on their “Trade Excursions” to promote the city of Waco, Gildersleeve joined them as both a photographer and member.
As well as being a professional photographer, Gildersleeve also owned and operated the “Kodak Place” in Waco for several decades. There they developed film brought in by customers and sold Gildersleeve’s photo prints directly to the public. His commercial work also included his images printed on postcards. These picture postcards featured businesses, events, and even lynchings with scenes such as that of Jesse Washington in May 1916. Gildersleeve is well-known as the photographer who distributed and sold postcards of this gruesome event and profited from their sales before being asked to stop by city officials. The photographer was also contracted by Baylor University from 1909 until the mid-1950s, and other clients in Waco as his skills were still in demand by those who had known his work for generations.
Fred and Florence Gildersleeve remained married and living together until a split occurred sometime around 1943; they never reconciled and remained apart the remainder of their lives. Florence continued to live in Waco after their separation and died March 31, 1965, at the age of 79. She was buried in Oakwood Cemetery, Waco. There was no recorded divorce located at the McLennan County Court House. Gildersleeve died at age 77 on February 26, 1958, in Waco. The cause of death was listed on his death certificate as pneumonia with complications from arterial scoliosis. He is buried next to his sister, Dr. Jessie Ellen Gildersleeve in Waco Memorial Park. Jessie Ellen had died February 1, 1955. His good friend and local historian, Roger Norman Conger, realized the importance of his work and acquired his professional photographic holdings upon Gildersleeve’s death. Conger subsequently donated these items to The Texas Collection, Baylor University throughout the 1970s. |
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The man who would become Waco’s most famous photographer, Fred Allen Gildersleeve, was born near Boulder, Colorado, on June 30, 1880, to Captain Allen Jesse and Sarah Ellen Pew Gildersleeve. His father, Allen Jesse Gildersleeve was a Civil War veteran having served as a Union Army Captain in the Missouri Cavalry, 14, Regiment, Company D, and died in 1881 at the age of 46. After the father’s death the family moved to Kirksville, Missouri, near the mother’s family. There, young Fred attended the Model School (part of the Normal School) graduating at the age of 16. His photography career began at the age of eighteen when he was given a Kodak box camera by his mother. He photographed students at the school and sold them for twenty-five cents each. In 1903, Gildersleeve graduated from the Illinois College of Photography in Effingham, Illinois, and soon after, his career as a professional photographer began.
In 1905 Fred Gildersleeve came from Texarkana, Arkansas, to Waco to work in the photography business having had a brief photography career in that city. His sister, Jessie Ellen, arrived in Waco around the same time to work as a doctor of Osteopathy. Their mother, Sarah Gildersleeve later joined them and lived with her daughter, Jesse Ellen. Fred married Florence Jennette Boyd on December 24, 1908, in Texarkana, Arkansas, who then joined him in Waco. They had no children. |
Fred Gildersleeve became a pioneer in the field of aerial photography in Texas. Examples include his aerial photos oil fields in Mexia, Texas, and he took the first aerial photos known to exist of Baylor University in about 1905-1910. Other accolades include his ability to use magnesium powder to create “flashlight” to illuminate night-time photographs that broke national records. For example, his 1911 photo of Waco’s Prosperity Banquet set a record for being the largest flash photo ever at that time. The event seated 1200 people and ran the length of two city blocks. Additionally, his skills at photo enlargement also set records. In 1913, he enlarged a panoramic photograph of Waco’s Texas Cotton Palace to 120 inches wide becoming the largest photo print made up to that time. He had a representative from Eastman Kodak in Rochester, New York, bring him the photo paper to do so. He also photographed the construction of the Amicable Life Insurance Company Building “Alico” in Waco. The structure, being 22 stories tall, held the title of being the tallest building in the Southwestern United States upon construction in 1911.
Gildersleeve was an active and prominent member in the Waco community. The Standard Blue Book of Texas, 1920, lists him as being a member of the Masons, York Rite, Shriners, Rotary Club, Ad Club, Young Men’s Business League (Y.M.B.L.), Chamber of Commerce, and as serving on the committees of Liberty Loan, the Salvation Army, and the Red Cross. Fred Gildersleeve’s involvement with these groups and organizations allowed him to prosper in his photography business as well as give back to his community. When the Y.M.B.L. went on their “Trade Excursions” to promote the city of Waco, Gildersleeve joined them as both a photographer and member.
As well as being a professional photographer, Gildersleeve also owned and operated the “Kodak Place” in Waco for several decades. There they developed film brought in by customers and sold Gildersleeve’s photo prints directly to the public. His commercial work also included his images printed on postcards. These picture postcards featured businesses, events, and even lynchings with scenes such as that of Jesse Washington in May 1916. Gildersleeve is well-known as the photographer who distributed and sold postcards of this gruesome event and profited from their sales before being asked to stop by city officials. The photographer was also contracted by Baylor University from 1909 until the mid-1950s, and other clients in Waco as his skills were still in demand by those who had known his work for generations.
Fred and Florence Gildersleeve remained married and living together until a split occurred sometime around 1943; they never reconciled and remained apart the remainder of their lives. Florence continued to live in Waco after their separation and died March 31, 1965, at the age of 79. She was buried in Oakwood Cemetery, Waco. There was no recorded divorce located at the McLennan County Court House. Gildersleeve died at age 77 on February 26, 1958, in Waco. The cause of death was listed on his death certificate as pneumonia with complications from arterial scoliosis. He is buried next to his sister, Dr. Jessie Ellen Gildersleeve in Waco Memorial Park. Jessie Ellen had died February 1, 1955. His good friend and local historian, Roger Norman Conger, realized the importance of his work and acquired his professional photographic holdings upon Gildersleeve’s death. Conger subsequently donated these items to The Texas Collection, Baylor University throughout the 1970s. |

User Notes :
User Notes :
Using This Resource In Your Research?
For access to high-resolution images for the purposes of scholarly research, please email digitalcollectionsinfo@baylor.edu.
Items in this collection may not be reproduced for commercial use without prior written consent from Baylor University, The Texas Collection, Waco, Texas. Please email digitalcollectionsinfo@baylor.edu to make such a request.
Restricted Items
Items may have restricted access due to copyright reasons. Items with the following message - "You may need to log in to continue. Access the full asset and its details" - are restriced to public view. For research related access please email digitalcollectionsinfo@baylor.edu.
Activity Note
This collection is considered an active collection. Items will be added periodically as they are acquired by Baylor University and processed through the Digitization and Digital Collection Preservation Services group.
Historical Context Note
The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials.
Comments, Questions, or Concerns?
Please email digitalcollectionsinfo@baylor.edu with any comments, questions, or concerns about this collection. Please include the URL to the specific page or item when emailing.
Using This Resource In Your Research?
For access to high-resolution images for the purposes of scholarly research, please email digitalcollectionsinfo@baylor.edu.
Items in this collection may not be reproduced for commercial use without prior written consent from Baylor University, The Texas Collection, Waco, Texas. Please email digitalcollectionsinfo@baylor.edu to make such a request.
Restricted Items
Items may have restricted access due to copyright reasons. Items with the following message - "You may need to log in to continue. Access the full asset and its details" - are restriced to public view. For research related access please email digitalcollectionsinfo@baylor.edu.
Activity Note
This collection is considered an active collection. Items will be added periodically as they are acquired by Baylor University and processed through the Digitization and Digital Collection Preservation Services group.
Historical Context Note
The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials.
Comments, Questions, or Concerns?
Please email digitalcollectionsinfo@baylor.edu with any comments, questions, or concerns about this collection. Please include the URL to the specific page or item when emailing.