The Jules Bledsoe papers consists of manuscripts collected by Jules (Julius) Bledsoe during the course of his musical career. These papers contain correspondence, diaries, financial papers, photographs, music, publicity materials, and other printed materials from his life and work.
The Jules Bledsoe papers begin in 1918 and conclude in 1943 with Bledsoe’s death. These records include business and personal correspondence, diaries, financial papers, photographs, and an extensive collection of music. Many original musical, oratorical, and poetic compositions by Bledsoe are also present. Also included are such materials as press releases, programs, repertoire sheets, travel documents, and other mementos which Bledsoe collected throughout his career both in the United States and in Europe. The correspondence has been transcribed; these transcriptions are available at the end of the correspondence series.
The Jules Bledsoe papers consists of manuscripts collected by Jules (Julius) Bledsoe during the course of his musical career. These papers contain correspondence, diaries, financial papers, photographs, music, publicity materials, and other printed materials from his life and work.
The Jules Bledsoe papers begin in 1918 and conclude in 1943 with Bledsoe’s death. These records include business and personal correspondence, diaries, financial papers, photographs, and an extensive collection of music. Many original musical, oratorical, and poetic compositions by Bledsoe are also present. Also included are such materials as press releases, programs, repertoire sheets, travel documents, and other mementos which Bledsoe collected throughout his career both in the United States and in Europe. The correspondence has been transcribed; these transcriptions are available at the end of the correspondence series.
Jules Bledsoe Biography :
Jules Bledsoe Biography :
Jules Bledsoe was born as Julius Lorenzo Cobb Bledsoe on December 29, 1898, in Waco, Texas. At five years old, he gave his first public vocal performance. Bledsoe originally wanted to pursue a medical career, but instead began studying music under Luigi Parisotti. After years of musical study, including degrees from Bishop College in Marshall, Texas, Virginia Union University in Richmond, Virginia, Columbia University in New York City, and time in Paris, France, Bledsoe made his concert debut in New York City at twenty-three years old.
Bledsoe adopted the stage name “Jules Bledsoe” early in his career, and was commonly called by that name for the rest of his life. His long literary career included composing and performing music, acting in plays and operas, and writing poems. Bledsoe’s work took him around the world, with performances in France, United Kingdom, Norway, Italy, and back to New York City in vaudeville, radio, and television.
Bledsoe played in many productions, including “Showboat,” “Aida,” “Emperor Jones,” “Deep River,” “Abraham’s Bosom,” and others. His signature song was considered to be “Old Man River,” which he sang in most concerts he gave. Bledsoe also wrote and performed his own songs and operas, which included folk songs, spirituals, patriotic songs, and operas.
Jules Bledsoe’s contributions to his art went beyond his musical skill. He was the first African-American to perform with a United States opera company in America, in addition to performing in operas around the world. Bledsoe was also known as a multilingual singer, proficient in English, Italian, French, German, and Yiddish by 1936.
Jules Bledsoe also owned a resort in New York’s Catskill Mountains open only to African Americans. Called “Jessie’s Manna Farms,” it is unknown how much profit he made from this side business.
During World War II, Jules Bledsoe assisted in the war effort by giving a war bonds tour around the United States. During one stop in Waco, Texas, his performance was so well received by the 2,500 people in attendance that he gave multiple encores for more than an hour after his show ended.
Jules Bledsoe died on July 14, 1943, in Hollywood, California from a cerebral hemorrhage. Noted Baylor University scholar and head of the English Department, Dr. J.A. Armstrong, spoke at his funeral. Jules Bledsoe is buried in Greenwood Cemetery, Waco, Texas.
Jules Bledsoe was born as Julius Lorenzo Cobb Bledsoe on December 29, 1898, in Waco, Texas. At five years old, he gave his first public vocal performance. Bledsoe originally wanted to pursue a medical career, but instead began studying music under Luigi Parisotti. After years of musical study, including degrees from Bishop College in Marshall, Texas, Virginia Union University in Richmond, Virginia, Columbia University in New York City, and time in Paris, France, Bledsoe made his concert debut in New York City at twenty-three years old.
Bledsoe adopted the stage name “Jules Bledsoe” early in his career, and was commonly called by that name for the rest of his life. His long literary career included composing and performing music, acting in plays and operas, and writing poems. Bledsoe’s work took him around the world, with performances in France, United Kingdom, Norway, Italy, and back to New York City in vaudeville, radio, and television.
Bledsoe played in many productions, including “Showboat,” “Aida,” “Emperor Jones,” “Deep River,” “Abraham’s Bosom,” and others. His signature song was considered to be “Old Man River,” which he sang in most concerts he gave. Bledsoe also wrote and performed his own songs and operas, which included folk songs, spirituals, patriotic songs, and operas.
Jules Bledsoe’s contributions to his art went beyond his musical skill. He was the first African-American to perform with a United States opera company in America, in addition to performing in operas around the world. Bledsoe was also known as a multilingual singer, proficient in English, Italian, French, German, and Yiddish by 1936.
Jules Bledsoe also owned a resort in New York’s Catskill Mountains open only to African Americans. Called “Jessie’s Manna Farms,” it is unknown how much profit he made from this side business.
During World War II, Jules Bledsoe assisted in the war effort by giving a war bonds tour around the United States. During one stop in Waco, Texas, his performance was so well received by the 2,500 people in attendance that he gave multiple encores for more than an hour after his show ended.
Jules Bledsoe died on July 14, 1943, in Hollywood, California from a cerebral hemorrhage. Noted Baylor University scholar and head of the English Department, Dr. J.A. Armstrong, spoke at his funeral. Jules Bledsoe is buried in Greenwood Cemetery, Waco, Texas.
User Notes :
User Notes :
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The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials.
Comments, Questions, or Concerns?
Please email digitalcollectionsinfo@baylor.edu with any comments, questions, or concerns about this collection. Please include the URL to the specific page or item when emailing.
Using This Resource In Your Research?
For access to high-resolution images for the purposes of scholarly research, please email digitalcollectionsinfo@baylor.edu.
Items in this collection may not be reproduced for commercial use without prior written consent from Baylor University, The Texas Collection, Waco, Texas. Please email digitalcollectionsinfo@baylor.edu to make such a request.
Restricted Items
Items may have restricted access due to copyright reasons. Items with the following message - "You may need to log in to continue. Access the full asset and its details" - are restriced to public view. For research related access please email digitalcollectionsinfo@baylor.edu.
Activity Note
This collection is considered an active collection. Items will be added periodically as they are acquired by Baylor University and processed through the Digitization and Digital Collection Preservation Services group.
Historical Context Note
The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials.
Comments, Questions, or Concerns?
Please email digitalcollectionsinfo@baylor.edu with any comments, questions, or concerns about this collection. Please include the URL to the specific page or item when emailing.