The purpose of the Black Gospel Music Restoration Project (BGMRP) is to identify, acquire, preserve, record and catalogue the most at-risk music from the black gospel music tradition. This collection will primarily contain 78s, 45s, LPs, and the various tape formats issued in the United States and abroad between the 1940s and the 1980s. Additionally, any ephemera that may be of use to scholars – including PR photos and press packets, taped interviews, informal photographs, tour books and programs, newspaper and magazine clippings, and sheet music – will also be acquired as it becomes available. The ultimate goal is to have a copy of every song released by every black gospel artist or group during the target time period.
Voices & Vinyl is an annual concert hosted by the Baylor Libraries and featuring performances by student groups giving their unique, updated interpretations of recorded Black gospel songs. Since 2015, Voices & Vinyl has showcased the talents of the Heavenly Voices Gospel Choir, an a capella choir whose modern takes on classic gospel songs have entertained V&V audiences on campus, in the Waco community, and via a virtual concert experience in 2021.
A number of items from the project are believed to be classified as works in the public domain or are of a copyright status that is inconclusive following extensive research. The full streamed audio for these items has been made freely available to users around the world.
The audio in this collection is presented in a streaming media format, so the songs are not available for download. You must listen to them in your web browser.
Due to copyright restrictions, some audio from this collection is only available to users on the campus of Baylor University and to those with university-issued credentials. If scholars or researchers would like to request access to additional items from the full collection and are not a current Baylor University student, staff or faculty member, email us at firstname.lastname@example.org.
NOTE: All items in the collection have publicly viewable metadata - information about the items in the collection like artist name, song titles, recording studio, etc. - that are viewable by all users, on or off-campus.
We are proud to be partners with the NMAAHC, the newest museum of the Smithsonian Institution in Washington, D.C. Materials from the BGMRP are featured in the museum's Musical Crossroads permanent exhibit.
Learn more about the BGMRP and the NMAAHC by reading our blog post here.
A close collaborator and early supporter of this project is Chicago-based collector and scholar Robert Marovich. Baylor University is deeply appreciative and thankful for Mr. Marovich's invaluable assistance by granting access to his extensive collection of American black gospel music recordings for use in the BGMRP.
Please visit our Wall of Honor to see the full list of supporters.
As a result of the preservation work of the Black Gospel Music Restoration Project, these recordings are presented here free for personal, non-commercial use as a contribution to education and scholarship. Baylor University does not own the rights in this collection and therefore cannot grant or deny permission to distribute material in this collection. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing music from the BGMRP.
If you have any more information about the music available from the Black Gospel Music Restoration Project, or if you are the copyright owner and believe this collection has not properly attributed your work to you or has used it without permission, we want to hear from you. Please email email@example.com to get in contact with the project staff, including your contact information and a link to the relevant content.
To learn more about the BGMRP, please visit the project homepage. You'll find information on the project's history, how to loan/donate materials, and how to support the project financially.
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This collection is considered an active collection. Items will be added periodically as they are acquired by Baylor University and processed through the Digitization and Digital Preservation Group.